Trained in the craft-arts, my work and interests have always centered on objects and materials. Early on, my focus was on metalsmithing and woodworking with a commitment to the field of contemporary jewelry.  These days, my work shows the influences of printmaking, graphic design, textile practices and a continued appreciation for everyday objects and vernacular regional culture.  In this, I see the responsiveness of my work to my recent environment: immersive, interdisciplinary studio-based programs situated in the Midwest and New England.  

Studio practice has served as a counter-balance to the analytical, strategic and interpersonal work of educational leadership.  My studio-life now turns to quicker, eased-up ways, trusting an accumulation of education and professional work.  Influences percolate to the surface gently and obliquely and I find myself working from trained instinct rather than strict intention.